photo by Elizabeth Gallón Droste
entre moléculas is a patchwork of artists, anthropologists and curators from Bogotá, Berlin, Lisboa, Quibdó, Zurich who joined for collaborations on illegal mining, extractivisms, slow violence and dark ecologies towards the building of assemblages with mining materials, its affects and sounds: gold, water, plastic, mercury, sand and machine-learning algorithms. we meet, share, resonate out of our divergents situatednesses.
no-representation has lead our on-going research weaving links from trust, remoteness and proximity. possibilities of imaginative futures are weaving bridges and crisscross irrational extractivist practices.
communities are not for sale - opposing and confronting such agency has also been the way to create a safe space of encountering and listening.
no-representation has lead our on-going research weaving links from trust, remoteness and proximity. possibilities of imaginative futures are weaving bridges and crisscross irrational extractivist practices.
communities are not for sale - opposing and confronting such agency has also been the way to create a safe space of encountering and listening.
photo by Kunstmuseum Stuttgart at SHIFTcomposting slow violence
remote listening session and installation of composting processes forming translocal stories of neocolonial extractivism, dark ecologies and molecular slow violences.
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remote listening session and installation of composting processes forming translocal stories of neocolonial extractivism, dark ecologies and molecular slow violences.
more info
talking to you, dead water!
listening session on the molecular processes of the renatured coal mining landscape of Lake Grosssräschen. buoys, underwater speakers, hydrophones, sound and performative texts address the dead water, the aesthetic rhetoric of rescue and the volatile mercury bodies of the coal industry.
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listening session on the molecular processes of the renatured coal mining landscape of Lake Grosssräschen. buoys, underwater speakers, hydrophones, sound and performative texts address the dead water, the aesthetic rhetoric of rescue and the volatile mercury bodies of the coal industry.
more info
photo by knowbotiq
mercurybodies
audiovisual critical cartography of Rio Quito in Chocó, Afro-Colombia, a mercury contaminated area of illegal gold mining.
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audiovisual critical cartography of Rio Quito in Chocó, Afro-Colombia, a mercury contaminated area of illegal gold mining.
more info
remote evocations
a space of resonance and remote encounters in relation to affections for the with mercury polluted Rio Atrato in Colombia. poems, texts, fragments of interviews, conversations, compositions, music and memories are being intertwined by fiction and afro-utopian perspectives, which invite to immerse into these sonic evocations.
a space of resonance and remote encounters in relation to affections for the with mercury polluted Rio Atrato in Colombia. poems, texts, fragments of interviews, conversations, compositions, music and memories are being intertwined by fiction and afro-utopian perspectives, which invite to immerse into these sonic evocations.
image by knowbotiq